Monocle on Culture

818 - Venice Biennale 2024, part 2

Robert Bound and his guests discuss what has piqued their interest in our one-stop shop for lively reports and in-depth interviews on the newest and finest in art, film, books and the media business.

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818 - Venice Biennale 2024, part 2

Mon, 27 May 2024
817 - Art legends Gilbert & George, Tunis’ new cultural scene and singer-songwriter Richard Thompson

Mon, 20 May 2024
816 - Fraud and fortune in today’s art market

Mon, 13 May 2024
815 - ‘The Fall Guy’ and a celebration of stunt performers

Mon, 06 May 2024
814 - Venice Biennale 2024

Mon, 29 Apr 2024
813 - Star style: the art of crafting a look

Mon, 22 Apr 2024
812 - Maggie Rogers

Mon, 15 Apr 2024
811 - Spring preview

Mon, 08 Apr 2024
810 - Maggi Hambling

Mon, 01 Apr 2024
809 - The Staves

Mon, 25 Mar 2024
808 - Lauren Oyler

Mon, 18 Mar 2024
807 - Spain’s international contemporary art fair Arco Madrid

Mon, 11 Mar 2024
806 - ‘Io Capitano', Lana Lubany and the first AI-created artworks

Mon, 04 Mar 2024
805 - Hans Zimmer

Mon, 26 Feb 2024
804 - Yoko Ono’s endless imagination

Mon, 19 Feb 2024
803 - The untold story of Cymande and the return of Pina Bausch’s ‘Nelken’

Mon, 12 Feb 2024
802 - The Last Dinner Party

Mon, 05 Feb 2024
801 - ‘The Zone of Interest’

Mon, 29 Jan 2024
800 - A deep dive into the career and character of Werner Herzog

Mon, 22 Jan 2024
799 - Treading the boards in 2024

Mon, 15 Jan 2024
798 - Looking ahead at the year in culture

Mon, 08 Jan 2024
797 - Review: ‘The Boy and the Heron’

Mon, 01 Jan 2024
796 - Best of Monocle on Culture 2023

Mon, 25 Dec 2023
795 - 2023 in review

Mon, 18 Dec 2023
794 - The best Christmas music of 2023

Mon, 11 Dec 2023
793 - 200 episodes of ‘Backlisted’

Mon, 04 Dec 2023
792 - Review: ‘The Eternal Daughter’

Mon, 27 Nov 2023
791 - An encyclopaedia of The Cure and the surprising world of rabbi portraiture

Mon, 20 Nov 2023
790 - John le Carré and the nature of truth

Mon, 13 Nov 2023
789 - Leading the charge: introducing the new Cadillac Lyriq

Wed, 08 Nov 2023
788 - Turin, from dawn to dusk

Mon, 06 Nov 2023
787 - Hiroshi Sugimoto

Mon, 30 Oct 2023
786 - Review: ‘Killers of the Flower Moon’

Mon, 23 Oct 2023
785 - Twenty years of Frieze London

Mon, 16 Oct 2023
784 - Autumn album releases

Mon, 09 Oct 2023
783 - Short stories with Tessa Hadley and Lawrence Osborne

Mon, 02 Oct 2023
782 - ‘Stop Making Sense’ and the enduring appeal of the concert movie

Mon, 25 Sep 2023
781 - Feist, São Paulo’s art scene and ‘Fremont’

Mon, 18 Sep 2023
780 - Review: ‘The Fraud’, Zadie Smith

Mon, 11 Sep 2023
779 - Look ahead to autumn: TV, books, art

Mon, 04 Sep 2023
778 - Summer blockbusters: How did they fare?

Mon, 28 Aug 2023
777 - Colson Whitehead

Mon, 21 Aug 2023
776 - John Carroll Kirby and Sylvan Esso

Mon, 14 Aug 2023
775 - ‘Talk to Me’

Mon, 07 Aug 2023
774 - Summer sounds

Mon, 31 Jul 2023
773 - Christopher Nolan

Mon, 24 Jul 2023
772 - How to design an album cover

Mon, 17 Jul 2023
771 - Ryuichi Sakamoto in mixed reality

Mon, 10 Jul 2023
770 - Max Richter

Mon, 03 Jul 2023
769 - Viva la diva!

Mon, 26 Jun 2023

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