Voices of VR by Kent Bye

Designing for Virtual Reality. Oral history podcast featuring the pioneering artists, storytellers, and technologists driving the resurgence of virtual & augmented reality. Learn about the patterns of immersive storytelling, experiential design, ethical frameworks, & the ultimate potential of XR.

Categoría: Arte

1310
- #1215: Fatboy Slim’s Groundbreaking & Trippy VR Concert on EngageXR

Tue, 30 May 2023
1309
- #1214: History of Engage XR’s Education & Communications Platform

Tue, 30 May 2023
1308
- #1213: Primer on WebGPU & Bringing High-Performance 3D Graphics and Parallel Compute to the Web

Fri, 19 May 2023
1307
- #1212: Breakdown of Award-Winning “Reeducated” VR Doc & Translation into Interactive Component of Yorker Article on Chinese Prison Camps

Fri, 12 May 2023
1306
- #1211: Jay Graber in 2019 on Decentralized Social Networking Philosophy before becoming Bluesky CEO

Fri, 05 May 2023
1305
- #1210: Adding a Social Graph to the Open Metaverse with Immers Space’s ActivityPub Integration

Thu, 04 May 2023
1304
- Metaverse Standards Forum Update on Working Groups & Incorporating as a Non-Profit Industry Consortium

Tue, 18 Apr 2023
1303
- #1208: 2023 SXSW Immersive Recap and Highlights with Programmer Blake Kammerdiener

Mon, 03 Apr 2023
1302
- #1207: “Temporal World” Blends Touch with Sound Design for a Unique Haptisonic Experience about Memory

Mon, 03 Apr 2023
1301
- #1206: The District VR Enables Professional DJs to Play Live Social VR Gigs without Mixer Hardware

Mon, 03 Apr 2023
1300
- #1204: Blending Open World Exploration with VR Immersive Theatre Drama with “Find WiiLii” in International Collaboration with GiiOii Immersive Studio and Ferryman Collective

Mon, 03 Apr 2023
1299
- #1203: “Body of Mine VR” Uses Full-Body Tracking Embodiment to Explore Gender Dysphoria & Transgender Testimonies

Mon, 03 Apr 2023
1298
- #1202: Miro Shot’s Second Mixed Reality Concert at SXSW: An Intimate, Live Performance Ritual

Mon, 03 Apr 2023
1297
- #1201: Jessie Cohen’s Oral History of Public Relations for Immersive Stories from 2013 to 2023

Mon, 03 Apr 2023
1296
- #1200: Defining Process-Relational Architecture with Andreea Ion CojoCaru: Spatial Design as a Participatory Improv Performance

Mon, 03 Apr 2023
1295
- #1199: “Whipped Cream: The Dark” Interactive Music Video Blending Volumetric Capture with Spatial Locomotion

Mon, 03 Apr 2023
1294
- #1198: AmazeVR is Bringing High-Res, Immersive Concert Experiences to the Quest Starting with K-Pop Band Aespa

Mon, 03 Apr 2023
1293
- #1197: Myriam Achard’s Industry-Leading, Immersive Curation for Montreal’s Phi Centre

Mon, 03 Apr 2023
1292
- #1196: “Eggscape” is a Groundbreaking, Mixed Reality, Multi-Player, Table Top Platformer Aiming for LBE

Mon, 03 Apr 2023
1291
- #1195: Exploring Non-Normative Avatars with Disabled Dancers in “Figural Bodies” Research Project

Mon, 03 Apr 2023
1290
- #1194: “Jailbirds” is a Well-Told, Magical Realist Story Using Character-Driven Animation and Stylized Cinematography

Mon, 03 Apr 2023
1289
- #1193: Phone-based Interactive Story “Consensus Gentium” Takes Top SXSW Prize for Chilling Speculative Worldbuilding Exploring AI Bias, Surveillance, & Biometric Agency

Mon, 03 Apr 2023
1288
- #1192: The Last Moments of AltspaceVR, Athena Demos’ Eulogy & Retrospective Journey into Social VR

Mon, 03 Apr 2023
1287
- #1191: Closing the Distribution Gap: Atlas V’s Astrea Aims to Port, Publish, & Market the Best of Immersive Stories

Mon, 03 Apr 2023
1286
- #1190: Targo Stories’ Immersive Documentary Spatial Innovations with “Behind the Dish” & “JFK Memento”

Mon, 03 Apr 2023
1285
- #1189: “Forager” Volumetric Timelapse of Mushroom Growth Hits a Sweet Spot of Touch, Smell, & Immersive Storytelling

Mon, 03 Apr 2023
1284
- #1188: Emotionally Evocative, Virtual Eye Gazing with Ukrainians in Bombed Out Buildings in “Fresh Memories: The Look”

Mon, 03 Apr 2023
1283
- #1187: “MLK: Now is the Time” Brilliantly Translates Dr. King’s Speech into Embodied Interactions & Spatial Metaphors

Mon, 03 Apr 2023
1282
- #1186: Chinese Ecosystem for Immersive Stories, VAST Platform, & Neo-Wulin Immersive Music Experience

Mon, 03 Apr 2023
1281
- #1185: HTC’s Enterprise VR Strategy + Debate about the Future of AI

Mon, 03 Apr 2023
1280
- #1184: “Battle for Your Brain” Author Nita Farahany on Establishing Cognitive Liberty as a Human Right for Limits on Neurotechnologies & XR

Thu, 09 Mar 2023
1279
- #1183: From Kant to an Organic View of Reality: Scaffolding a Process-Relational Paradigm Shift with Whitehead Scholar Matt Segall

Thu, 09 Mar 2023
1278
- #1182: Recreating Philosophical Moral Dilemmas in VR, the Gamer’s Dilemma, & Virtual Ethics

Thu, 09 Mar 2023
1277
- #1181: VR Renaissance in Moral Psychology, Perspectival Thought Experiments in Philosophy, & Bounds of Empathy

Thu, 09 Mar 2023
1276
- #1178: How the EU’s Metaverse Initiative May Bring XR Privacy Amendments for the AI Act, GDPR, or Digital Markets Act

Wed, 08 Mar 2023
1275
- #1180: Anti-Trust & Privacy Watchdog Jason Kint Reflects on Ad Ecosystems & XR

Wed, 08 Mar 2023
1274
- #1179: Discussion of XRSI’s Privacy Framework 1.0 from 2020

Wed, 08 Mar 2023
1273
- #1177: How the EU’s AI Act Could Impact Biometric Data Definitions & XR Privacy

Tue, 07 Mar 2023
1272
- #1176: XR Privacy Landscape & Data Flows with Future of Privacy Forum’s Jameson Spivack

Tue, 07 Mar 2023
1271
- #1175: Highlights of Existing Law & Extended Reality Symposium at Stanford Law’s Cyberpolicy Center with Organizer Brittan Heller

Tue, 07 Mar 2023
1270
- #1174: Palmer Luckey on Past, Present, & Future of XR: DK1, Valve Fallout, Why He Got Fired, & XR Projects at Anduril Industries

Fri, 24 Feb 2023
1269
- #1173: Echo VR Reflections from 2019 by Sonya Haskins + My Thoughts of Echo VR Shut Down Announcement

Fri, 17 Feb 2023
1268
- #1172: “Metaversed: See Beyond the Hype” Book Interview with Luis Bravo Martins and Samantha G. Wolfe

Tue, 07 Feb 2023
1267
- #1171: XR Association Updates on XR for All Foundation DEI Effort, Tech Policy, & Accessibility

Thu, 02 Feb 2023
1266
- #1170: Niantic’s Lightship AR Developer Kit Enables Third-Party Devs to Build the Real-World Metaverse

Mon, 30 Jan 2023
1265
- #1169: IDFA DocLab Founder Caspar Sonnen Reflects on 2022 Program, Industry Trends, and Distribution Challenges

Thu, 22 Dec 2022
1264
- #1168: “The Anticipation of Rain” Combines Open Brush Landscape VR Painting of a Monsoon with Custom Scents

Thu, 22 Dec 2022
1263
- #1167: Countering the Bystander Effect of Drug-Induced Sexual Assaults with Interactive Narrative “Missing 10 Hours VR”

Thu, 22 Dec 2022
1262
- #1166: Sarah Wolozin’s Journey to Directing the MIT Open Documentary Lab

Thu, 22 Dec 2022
1261
- #1165: XR Installation “Ikhet (Sound Pyramid)” Combines Immersive Sound, Visceral Haptics, & Diffracted Kaleidoscopic Visuals

Thu, 22 Dec 2022

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